American reviews about Claude Viallat and Supports/Surfaces

Facebooktwitterlinkedinrssyoutubeinstagram
Facebooktwitterlinkedinmail

ART IN AMERICA: The first review about Claude Viallat in the Press from the US was in 2014: “Claude Viallat, Montpellier, at Musée Fabre” by Michael Duncan – Dec 1st, 2014

Of the artists who have questioned traditional forms of painting over the past century, Claude Viallat is one of the most radical. (…)

READ MORE: http://www.artinamericamagazine.com/reviews/claude-viallat/


THE NEW YORK TIMES, June 15, 2017 by Jason Farago

What to see in New York art galleries this week

The twenty paintings on fabrics here painting by Claude Viallat, rigorously composed yet teeming with chromatic invention, may add up to the most significant postwar art history lesson in town this summer(….)”

READ MORE: https://www.nytimes.com/2017/06/15/arts/design/what-to-see-in-new-york-art-galleries-this-week.html


THE WALL STREET JOURNAL, y Peter Plagens

‘Unlimited: Painting in France in the 1960s & 1970s’ Review: Political Theory in Artistic Practice’
At a time of cultural tumult, painting was reconceived as a candidate for left-wing reinvigoration.


TWO COATS OF PAINT:

Unlimited: Painting and political upheaval,

http://www.twocoatsofpaint.com/2017/07/unlimited-painting-and-political-upheaval.html


 

Facebooktwitterlinkedinmail